#Using pluraleyes 4 with avid movie
#Using pluraleyes 4 with avid update
#Using pluraleyes 4 with avid pro
#Using pluraleyes 4 with avid software

Make a sync map.ДЇirst you will need to lay out all of your footage in one long sequence (I like to do one sequence for each shooting day), with the master timecode of the sequence corresponding to the timecode of your cameras. Put your thinking caps on вЂ“ this tutorial is not for the faint of heart. Each camera can drop in and out, and the multigroup will automatically adjust and play smoothly throughout the duration of the footage. Luckily, there is a way to work around all of these issues and create convenient multigroups that contain all of your footage for a given scene and are perfectly in sync. Sometimes production jam-syncs the cameras once in the morning, and by the afternoon they have drifted several frames out of sync. Maybe both cameras stopped shooting for a period of time, but you want to include footage after the break in your group. This can cause the shots in a group to cycle through all of the available window positions in the four-frame display and force you to use the nine-frame view with smaller thumbnails. Cameramen with itchy trigger fingers start and stop recording every few seconds, independently of the other cameramen. In practice, however, it is rarely this simple. As long as all of the cameras start and stop around the same time with no drop-outs in between, and as long as the timecode was shot time-of-day and jam-synced between cameras right before the shoot, you can easily make groups in a matter of seconds. Link: PluralEyes 3.Media ComposerвЂ™s вЂњGroup ClipsвЂќ feature is best suited for very simple multicamera shoots. What do you guys think about this update? How about Avid users, glad to finally have PluralEyes support back?

#Using pluraleyes 4 with avid update

To download the update and read more about PluralEyes, head on over to the Red Room Blog using the link below. In theory being able to just throw everything together and let PluralEyes do the rest is the easiest workflow imaginable, so if it works as described it will be just another weapon that many of those working on short turnarounds will probably want to have in their arsenal. I will be interested to see how the 'Do It For Me' feature works in practice. With the ability to take native MXF files, it means you can get started faster if you've got a very time sensitive project - everything can remain in its native form until you export.

#Using pluraleyes 4 with avid movie

One of the issues with syncing clips from cameras that don't already give you standard movie files is that you had to convert them (at least in previous versions of PluralEyes). You drag-and-drop the clips as вЂTakes,вЂ™ hit Sync, and PluralEyes figures out their relationship.ДЇor all of you Avid users out there, this is great news, and it means you finally have automatic syncing back.

вЂњDo It For MeвЂќ feature.В A new set of features quickly imports and organizes your clips.Get MXF support.В Supports more professional workflows, adding native MXF support for Media Composer and Premiere Pro.

#Using pluraleyes 4 with avid pro

Now imports and exports its synced timeline directly to Avid Media Composer on Mac, along with Final Cut Pro and Premiere Pro. Here's what they've done with version 3.1, taken from the Red Giant Red Room Blog: If you haven't seen it, here's the introduction video to PluralEyes 3: Click through to check out what they've done in this update. While Windows support will be coming in version 3.2, the current update addresses a few of the remaining concerns for current users.

#Using pluraleyes 4 with avid software

With the newest software update, 3.1, it looks like they are committed to making it as easy to use as possible, and bringing it to as many computers as possible. After Red Giant took over PluralEyes, the popular syncing software, it wasn't clear what they would do with the program or how they would support it.